They Will Have to Kill Us First

They Will Have to Kill Us First (2015)

(7.3) - 113 rating

Description movie

Những kẻ cực đoan Hồi giáo đã cấm âm nhạc ở Mali, nhưng các nhạc sĩ nổi tiếng thế giới của nó sẽ không từ bỏ mà không chiến đấu. Họ sẽ phải giết chúng tôi Đầu tiên kể về câu chuyện của các nhạc sĩ Malis, khi họ đấu tranh cho quyền hát của mình. Với nhạc nền được ủy thác đặc biệt từ một số nghệ sĩ thú vị nhất của Malis, bộ phim có các nhạc sĩ: Khaira Arby, Fadimata Disco Walet Oumar, siêu sao người Malian Amkoullel, Moussa Sidi và giới thiệu Songhoy Blues. Âm nhạc là trái tim đập của văn hóa Malian, nhưng khi các chiến binh thánh chiến Hồi giáo nắm quyền kiểm soát miền bắc Mali vào năm 2012, họ đã thi hành một trong những cách giải thích khắc nghiệt nhất về luật sharia trong lịch sử: Họ đã cấm mọi hình thức âm nhạc. Các đài phát thanh bị phá hủy, các nhạc cụ bị đốt cháy và các nhạc sĩ Malis phải đối mặt với sự tra tấn, thậm chí là cái chết. Qua một đêm, các nhạc sĩ người Malia tôn kính đã bị buộc phải trốn hoặc lưu vong ở nơi hầu hết còn lại, ngay cả bây giờ. Nhưng thay vì nằm xuống các nhạc cụ của họ, các nhạc sĩ đang chiến đấu trở lại, đứng lên cho di sản văn hóa và bản sắc của họ. Khắp ...

Islamic extremists have banned music in Mali, but its world famous musicians wont give up without a fight. They Will Have To Kill Us First tells the story of Malis musicians, as they fight for their right to sing. With a specially commissioned soundtrack from some of Malis most exciting artists, the film features musicians: Khaira Arby, Fadimata Disco Walet Oumar, Malian superstar Amkoullel, Moussa Sidi and introducing Songhoy Blues. Music is the beating heart of Malian culture, but when Islamic jihadists took control of northern Mali in 2012, they enforced one of the harshest interpretations of sharia law in history: They banned all forms of music. Radio stations were destroyed, instruments burned and Malis musicians faced torture, even death. Overnight, Malians revered musicians were forced into hiding or exile where most remain, even now. But rather than lay down their instruments, the musicians are fighting back, standing up for their cultural heritage and identity. Throughout ...
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