Krapps First Video

Krapps First Video (2000)

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Description movie

Năm 1999, nhà thơ Alan Brunton tới Christchurch để diễn trong vở kịch trí nhớ của Samuel Beckett, "Cuốn băng cuối cùng của Krapp". Ông được theo sau bởi nhà làm phim Shahin Yazdani, người nắm bắt một thế giới mơ hồ xuất hiện trong quá trình sản xuất. Yazdani có mặt từ những buổi đầu tiên, khi đạo diễn của vở kịch thực hiện một cuộc thăm dò tâm trí của Brunton, đòi hỏi những ký ức chân thực nhất của anh. Yazdani đã xây dựng bộ phim của mình, "Video đầu tiên của Krapp", dưới dạng nhiều văn bản, thậm chí trái ngược nhau, bao gồm sự kết hợp của các hiệu ứng hình ảnh, từ, văn bản và âm thanh với bộ nhớ làm trụ cột. Lần lượt, sự kết hợp hiệu quả của các bộ phận của bộ phim, dẫn đến sự kết hợp của toàn bộ như một "dòng ý thức" không còn phân biệt giữa tính khách quan và tính chủ quan, hiện thực và ước mơ, thực tế và mong muốn, quá khứ và quá khứ. Đôi khi, ảnh ghép này của video (về buổi diễn tập và buổi biểu diễn, cũng như những hình ảnh lấy cảm hứng từ văn bản của Beckett), âm thanh và văn bản bổ sung cho nhau, và ...

In 1999, poet Alan Brunton goes to Christchurch to act in Samuel Beckett.s memory-play,"Krapp.s Last Tape". He is followed by the filmmaker Shahin Yazdani who captures a world of ambiguity that descends on the production. Yazdani is present from the first sessions, as the director of the play undertakes a probe of Brunton.s mind, demanding his most authentic memories. Yazdani has constructed his film, "Krapp.s First Video", as multiple, even contradictory texts, consisting of the juxtaposition of image, word, text and sound effects with memory as their pivot. The film.s effective juxtaposition of the parts, in turn, results in a bringing together of the whole as a "stream of consciousness" which no longer differentiates between objectivity and subjectivity, reality and dreams, fact and desire, the past and the pluperfect. At times this collage of video images (of the rehearsal and the performance, as well as those inspired by Beckett.s text), sound and text complement one another, and...
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