Juk-um ui sangja, the live

Juk-um ui sangja, the live (2012)

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Beschreibung film

Hộp tử thần (1955) đặc biệt có ý nghĩa vì đây là cả hai đạo diễn phim nổi tiếng của Hàn Quốc, tác phẩm điện ảnh đầu tiên của Kim Ki-young và được biết đến như là trường hợp đầu tiên của âm thanh đồng bộ ở Hàn Quốc. Nó được biết đến như một bộ phim bị mất cho đến khi nó được tìm thấy tại NARA (Cơ quan Lưu trữ và Lưu trữ Quốc gia Hoa Kỳ) vào năm 2010. Nhưng thật không may, âm thanh của Hộp tử thần bị mất nên chúng tôi không thể nghe thấy âm thanh từ nó . Cả kịch bản phim hay bất kỳ tài liệu liên quan nào khác đã được tìm thấy cho đến bây giờ. Hiện tại, chỉ có hình ảnh có sẵn nên rất khó để hiểu được lời kể của bộ phim này một cách hoàn hảo. Do đó, vào năm 2011, bốn nhạc sĩ đã chuẩn bị cho buổi biểu diễn và phát nhạc trực tiếp trong khi Hộp tử thần được trình chiếu. Bộ phim tài liệu này nói về khoảnh khắc này rằng những hình ảnh của năm 1955 đã đáp ứng âm thanh của năm 2011.

Boxes of Death(1955) was especially significant as this was both Korean famous film director, Kim Ki-young.s first film work and as is well known as the first case of synchronized sound in Korea. It was known as a lost film until it was found at NARA(National Archives and Records Administration in US) by chance in 2010. But unfortunately, the sound negative of Boxes of Death is missing so we are not able to hear the sound from it. Neither film script nor any other relevant documentation has been found up until now. At the moment, there are only pictures available so it is difficult comprehend the narrative of this film perfectly. Therefore, in 2011 four musicians prepared for the performance and played live music while Boxes of Death was screened. This documentary is about this moment that the images of 1955 met the sound of 2011.
Its the Blues: Mission to Memphis Son of Sid Young Detectives: Zaluu Murdugchid Home Care: Final Cut The Visiting Tank Street Spirit: Russian Streetwear Revolution Eternitys Sunrise El Hombre Des clics de conscience Brothers All Are We Les résistants du train fantôme Were Not White Arumdaun omma A Day in my Life The buxa lama Deveni Warama HidingInMyFlat Amerika Hard Yakka Letters from the future SOMI: So Obvious my Inspiration Pierre Radisson: Fjord and Gulf Leave Your Shoes at the Door Make Me Fly Broken Still One Tomasa Just An Inconvience, A Portrait of Rosemary Celestial Vehicle It Started at the River In the Shadow of Humans Battle Grounds: the hard hits of female poppers All My Relations 74-sai no Perikan wa pan o uru. A Little Fable Jouney Home to the USS Arizona narrated by Matthew Broderick The Strength in Me Losys World The mammalian reflex Help Catalonia, save Europe Jake & Eddie Cigarros Standing with Standing Rock Struggling for Weird are the green fields gone? Trek to Broadway Last Days: Kimi to ita hibi Port Our Film Great mother Kobayashi Takijis mothers story From Farm to Trash Il coraggio di credere Anohi, samurai ga ita guraundo The Replacement Canil Your Rock Floating Walk: Gangnam Kangaroo Madison Animal Hospital Its Absolute Trash Wendell Grimkie Freeland: A Quiet Soldier in the Fight for Civil Rights Moravilla My Cuba Chocolate Rise I Have Seen the Future: A Tour of the 1939 New York Worlds Fair The House Where Time Stood Still Andreas Lentakis: A Romantic Figher Guerilla Bay Lucy Dacus: Doors Wide Open In Search of the Found Object Killer Tune Radio In the Shadows of Sugar Hill Ishues Driven to Abstraction Dreams Death Ends a Life Not a Relationship Atopos, theatrical genders The Wave Yankev KTM Cocktale Mom and Mother Harold Nebenzal erzählt... Home La Via della Conciliazione America in Transition: Called to Serve Beatopia Aloneness, Loneliness, Beauty & Silence Hip Hop DNA: Breaking Down the Caribbeans Impact on the Culture The Last Ballad of El Manchez Fall Fashion Look Book Ratts Life LArt de lAutre Hijack at Malacca À lécole des pompes funèbres Buzzarama Throne of Cans Golden Branches Johnny Conch Shell Freihäit Allat Haddah I want to play football
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