Okresní prebor - Poslední zápas Pepika Hnátka

Okresní prebor - Poslední zápas Pepika Hnátka (2012)

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Beschreibung film

Bộ phim Chủ nhật Liên minh được lấy bối cảnh ngay trước khi bộ phim truyền hình Okresni prebor (2010) bắt đầu. Câu chuyện của bộ phim đưa chúng ta quay ngược thời gian về Houslice và mọi thứ lại một lần nữa xoay quanh câu lạc bộ bóng đá Slavoj địa phương, các cầu thủ, chức năng và chủ yếu là huấn luyện viên Pepik Hnátek của nó. Pepik Hnátek (Miroslav Krobot) là một người đàn ông lớn ở Houslice. Huấn luyện viên có thẩm quyền là một chiến lược gia không thể thiếu của nền bóng đá quận và linh hồn của toàn bộ câu lạc bộ. Bóng đá có nghĩa là tất cả đối với anh ta, đó là điều mà vợ anh ta khó chấp nhận, nhưng đó là trái tim anh ta bị ảnh hưởng nhiều nhất và sau nhiều năm căng thẳng và căng thẳng, nó đang dần bắt đầu từ bỏ. Cho đến nay, Hnátek cố chấp đã che giấu thành công sự thật này với mọi người, nhưng khi trái tim của anh ta bị tấn công bởi cơn đau tim thứ mười bảy, huấn luyện viên giàu kinh nghiệm sẽ phải quyết định chọn cuộc sống hay bóng đá. Hnátek, khá logic, chọn bóng đá.

The film Sunday League is set just before the beginning of the TV series Okresni prebor (2010)). The film.s story takes us back in time to Houslice and everything is once again centered around the local Slavoj football club, its players, functionaries and, primarily, its coach Pepik Hnátek. Pepik Hnátek (Miroslav Krobot) is a big man in Houslice. The authoritative coach is an indispensable strategist of the district football scene and the soul of the entire club. Football means everything to him which is something his wife finds hard to accept, but it is his heart that is affected the most and after years of stress and nervous exertion it is slowly beginning to give up. So far the obstinate Hnátek has been successfully hiding this fact from everyone, but when his heart is hit by its seventeenth heart attack the experienced coach will have to decide whether to choose life or football. Hnátek, quite logically, chooses football.
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