Picture

Picture (2015)

(6.73) - 124 Bewertung

Beschreibung film

Đầu năm 2010, Dàn nhạc Hợp kim đã được ủy nhiệm một số điểm ban đầu cho dàn nhạc bộ gõ, dựa trên một bối cảnh âm nhạc được vẽ trên một tờ giấy ghi chú hình vuông dài 3 feet. Nguyên lý hoạt động của nó là một nhịp độ cố định - 60 nhịp mỗi phút - được tuân thủ nghiêm ngặt bởi các nhạc sĩ trong suốt tác phẩm. Trong lưới này, những người biểu diễn được tự do hoàn toàn để xác định âm sắc, âm lượng và chuỗi chủ đề được chọn cho công việc của họ. Hai nghệ sĩ - một tay trống và một người soạn thảo - đã nghe bản ghi âm nhạc mà không có bất kỳ kiến ​​thức nào về các hướng dẫn được cung cấp cho việc tạo ra nó. Không biết gì về nhau, cả hai được giao nhiệm vụ chơi cùng với các nhạc cụ tương ứng của họ: một cái có trống trước máy ảnh, cái còn lại có bút, cọ, mực và bột màu trên dải phim 35mm. Không ai trong số họ được dành thời gian để chuẩn bị hoặc luyện tập trước. Các cảnh quay được lắp ráp và chỉnh sửa tuân thủ nghiêm ngặt các tiêu chí được áp dụng cho âm nhạc. Hợp kim ...

In early 2010 the Alloy Orchestra was commissioned an original score for percussion ensemble, based on a musical setting drawn on a 3-foot long sheet of squared notebook paper. Its operating principle was a fixed tempo - 60 beats per minute - to be strictly followed by the musicians throughout the piece. Within this grid, the performers were given complete freedom to determine the timbre, the volume and the sequence of themes to be chosen for their work. Two artists - a drummer and a draughtsman - listened to the recording of the music without any knowledge of the instructions provided for its creation. Unbeknownst to each other, both were given the task of playing along with their respective instruments: one with a drum in front of a camera, the other with pen, brushes, ink and colored pigments on 35mm film strips. Neither of them was given time to prepare or rehearse beforehand. The footage was assembled and edited in strict adherence to the criteria adopted for the music. The Alloy...
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