Blitze

Blitze (2000)

(6.35) - 255 rating

Description movie

Giác quan thứ sáu. Nếu hai chữ cái trong tựa phim gốc của Dietmar Brehm của Đức bị thay đổi, nó có thể được dịch là Glances. Kết quả sẽ là tọa độ của một chế độ tầm nhìn trong đó đối tượng và đối tượng dao động: Một cái nháy mắt kích hoạt ánh sáng lóe lên trong não; hoạt động synap trong một giấc mơ thay thế cho cái nhìn. Một người đàn ông mở mắt. Anh nhìn thấy một căn phòng ấm cúng với lò sưởi đang cháy; anh ta thấy một người già nằm trên giường và sau đó quay lại gọi cho một người hầu; anh thấy một người phụ nữ đang tắm, và một người trẻ hơn đang ngủ. Đột nhiên, tất cả trật tự được đảo ngược. Nó có thể là người phụ nữ chỉ đơn thuần là mơ về một Voyeur; cô ấy có thể đang bước vào giấc ngủ REM. Cô ấy có thể đang mơ mình trở thành một phiên bản thay đổi của Psycho. Cảm giác khó chịu do Bolts of Lightening gây ra có thể được tạo ra bởi sự liên quan mà Brehm thêm vào đoạn phim tìm thấy của mình: Anh cho phép kể một câu chuyện được quay hoàn toàn và, như trong một giấc mơ, câu chuyện không có gì khác hơn là sau đó. ..

The Sixth Sense. If two letters in the original German title of Dietmar Brehm.s new film were changed, it could be translated as Glances. The result would be coordinates of a mode of vision in which subject and object oscillate: A glance triggers flashes of lightening in the brain; synaptic activity during a dream replaces the glance. A man opens his eyes. He sees a cozy room with a burning fireplace; he sees an elderly person lying in the bed and then turning to ring for a servant; he sees a woman taking a shower, and a younger one in bed asleep. Suddenly, all order is reversed. It may be that the woman is merely dreaming of a voyeur; she may be entering REM sleep. She might be dreaming herself into an altered version of Psycho. The feeling of discomfort caused by Bolts of Lightening is made possible by the relevance Brehm adds to his found footage: He permits the telling of a story which is turned completely around and, as in a dream, the story is nothing more than a subsequent ...
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