Tate Modern

Tate Modern (2000)

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Tate Modern được mở cửa cho công chúng tại London vào ngày 12 tháng 5 năm 2000. Tòa nhà mới này là một phần của Phòng trưng bày Tate, bảo tàng nghệ thuật đương đại lớn nhất thế giới. Sir Nicholas Serota, giám đốc Phòng trưng bày Tate, nhớ lại ý tưởng của mình về việc biến nhà máy điện, được xây dựng trong các giai đoạn khác nhau của Sir Gilbert Scott trong khoảng thời gian từ 1948 đến 1963, thành Tate Modern. Việc chuyển đổi các nhà máy điện không sử dụng, được thiết kế bởi kiến ​​trúc sư người Thụy Sĩ, ông Herzog & de Meuron, đã được các chuyên gia và những người yêu thích nghệ thuật hoan nghênh. Bắt đầu từ một nhà máy điện chạy bằng dầu khí, họ đã tạo ra một kiệt tác kiến ​​trúc mà danh tiếng của họ sẽ được công nhận vượt ra ngoài Luân Đôn. Nhờ sự đóng góp của Jacques Herzog và Harry Gugger, các đối tác trong thực tiễn của Herzog & de Meuron, bộ phim tài liệu đã ghi lại một số hiểu biết hấp dẫn về kiến ​​trúc của Tate Modern. Theo dòng suy nghĩ này, người ta buộc phải nhận thấy tầm quan trọng của một chi tiết không quan trọng có thể có đối với ...

The Tate Modern was opened to the public in London on May 12th 2000. The new building is part of the Tate Gallery, the largest contemporary art museum in the world. Sir Nicholas Serota, director of the Tate Gallery, recalls his idea of turning the power station, which was built in various stages by Sir Gilbert Scott between 1948 and 1963, into the Tate Modern. The conversion of the disused power station, as designed by the Swiss architects Herzog & de Meuron, was applauded by professionals and art lovers alike. Starting from an electric power station running on gas oil they have created an architectural masterpiece whose fame will be recognized well beyond London. Thanks to the contribution of Jacques Herzog and Harry Gugger, partners in the Herzog & de Meuron practice, the documentary retraces some fascinating insights into the architecture of the Tate Modern. Following this line of thinking one is bound to notice how significant even an apparently unimportant detail can be for the ...
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