La Pasión de Michelangelo

La Pasión de Michelangelo (2013)

(6.4) - 127 évaluation

Description du film

Năm 1983, khi các cuộc biểu tình của Chile chống lại chế độ quân sự của Pinochet đã tăng cường sức mạnh, chính phủ đã nắm bắt được câu chuyện kỳ ​​lạ của thiếu niên đường phố 14 tuổi Miguel Angel như một phương tiện để chuyển sự chú ý khỏi sự bất mãn đang gia tăng của công chúng. Ở PeñTHER, cách Valparaíso không xa, Thiên thần lôi cuốn đã thề rằng anh ta có thể nhìn thấy Đức Trinh Nữ Maria trên đỉnh một ngọn đồi địa phương và, với chính phủ làm tất cả những gì có thể để quảng bá "phép lạ" này, hàng trăm ngàn người đã hành hương đến điểm "thánh". Chẳng mấy chốc, Angel đã đạt được trạng thái ngôi sao nhạc rock - với tất cả các đặc quyền mà thuật ngữ này ám chỉ - cho đến khi, chắc chắn, anh ta ngã rất nhanh và cứng ... Quay phim 16mm cho cảm giác phim tài liệu, bộ phim theo dõi cuộc điều tra của một linh mục ngày càng hoài nghi về điều này ngoại tình. Cả một bài phê bình văn hóa về những gì đạo diễn Esteban Larraín thấy là nhu cầu khẳng định của Chile khi đối mặt với một phức tạp tự ti tập thể và một minh họa ngắn gọn về khái niệm "bánh mì và xiếc" của Juvenal về ...

In 1983, as Chilean demonstrations against Pinochet.s military regime gathered strength, the government seized upon the strange story of 14-year-old street teen Miguel Angel as a means of diverting attention from the public.s growing discontent. In Peñablanca, not far from Valparaíso, the charismatic Angel swore he could see the Virgin Mary at the top of a local hill and, with the government doing all it could to promote this "miracle", hundreds of thousands of people made the pilgrimage to the "holy" spot. Soon Angel had attained rock-star status - with all the perks the term implies - until, inevitably, he fell fast and hard... Shot on 16mm film for a documentary feel, the film follow the investigation of an increasingly skeptical priest into this affair. Both a cultural critique of what director Esteban Larraín sees as Chile.s need for affirmation in the face of a collective inferiority complex and a succinct illustration of Juvenal.s "bread and circuses" concept of governmental ...
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