The Opening Act

The Opening Act (2015)

(8.03) - 560 évaluation

Description du film

Có phải trả tiền để chơi? Đi xe với Nghệ sĩ thu âm độc lập, Người đề cử Grammy Linda Chyer khi cô đưa bạn đi trên con đường không trải nhựa và cá nhân để tìm kiếm thành công trong thế giới âm nhạc mới. Linda Chyer đã biểu diễn trên khắp thế giới trong 30 năm và tự sản xuất album và video của mình. Nhưng bây giờ, khi bất cứ ai cũng có thể truyền phát nhạc và video cho các phân số của đồng xu, thì nó cần gì và giá của việc kiếm tiền là bao nhiêu? Liệu niềm vui của việc tạo và chia sẻ âm nhạc có biện minh cho tất cả thời gian, công sức, chi phí, hối hả, mò mẫm và kéo theo sự ủng hộ? Trong bộ phim tài liệu hài hước, cá nhân sâu sắc này, được quay, viết, đạo diễn và chỉnh sửa bởi Linda, chúng tôi đi cùng cô ấy trên ghế hành khách khi cô ấy mời bạn bè, gia đình và những người xa lạ sản xuất một video nhạc hoang dã cho một bài hát mới. Trên đường đi, cô cố gắng trả lời những câu hỏi nghịch lý mà nhiều nghệ sĩ tự hỏi: Điều gì định nghĩa thành công - bản thân âm nhạc hay tiền bạc? Và nếu tiền không ở đó, nó thậm chí còn có giá trị ...

Does it pay to play? Ride with Independent Recording Artist, Grammy Nominee Linda Chorney as she takes you on her up-close and personal unpaved road to find success in the messed up new music world. Linda Chorney has been performing around the world for 30 years, and self-producing her albums and videos. But now, when anyone can stream music and videos for fractions of pennies, what does it take, and what is the price of making a buck? Does the joy of creating and sharing music justify all of the time, effort, expense, hustling, groveling, and pulling favors? In this profoundly personal, funny documentary, filmed, written, directed, and edited by Linda, we accompany her in the passenger seat as she enlists friends, family and strangers in the production of a wild music video for a new song. Along the way, she attempts to answer the paradoxical questions many artists ask themselves: What defines success--the music itself, or the money? And if the money isn.t t there, is it even worth ...
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