Zarobljeno vreme

Zarobljeno vreme (2017)

(7.5) - 6 évaluation

Description du film

Petar Peca Popovic là một trong những người vĩ đại nhất, nổi tiếng nhất, có thẩm quyền nhất và chắc chắn, là người sành sỏi, giỏi nhất về Rock and Roll ở Nam Tư cũ. Ông đã quảng bá Rock and Roll trong những thời kỳ anh hùng đó. Chúng tôi đang thực hiện một chuyến đi kỳ lạ với Popovic, dọc theo một "quê hương tình cảm", của Yu, "tìm kiếm thời gian đã mất" và những người bạn thân yêu, đại diện quan trọng nhất của nền văn hóa này. Mục đích của chúng tôi không phải là nói lên sự thật Rock and Roll cuối cùng, mà là để trả lời câu hỏi này: liệu sự sụp đổ của Nam Tư có làm cho Rock and Roll trở nên ít quan trọng hơn không? Ngày nay, không có tác giả lớn mới, không có nhạc sĩ thiên tài mới, nhưng có một loạt các cô gái bị thiệt thòi ở Serbia tuyên bố mình là diva. Trong tình hình "lạm phát diva", ai cần Rock and Roll? Petar B. Popovic - Peca viết lịch sử tự thơ về một hiện tượng toàn cầu, được hỗ trợ bởi sự kiện chính xác và kết luận sáng suốt của những người tham gia và nhân chứng, đặt nó trong một phạm vi rộng hơn, mang tính xã hội, tư tưởng, quốc gia ...

Petar Peca Popovic is one of the greatest, most famous, most authoritative and for sure, the best, connoisseur of Rock and Roll in the former Yugoslavia. He promoted Rock and Roll in those heroic times. We are going on a peculiar kind of trip with Popovic, along an "emotional homeland", of ex-Yu, "searching for the lost times" and dear friends, the most significant representatives of this culture. Our aim is not to tell the ultimate Rock and Roll truth, but to answer this question: whether the downfall of Yugoslavia made Rock and Roll less important? Nowadays, there are no new big authors, no new genius songwriters, but there are a bunch of marginalized girls in Serbia that declare themselves for divas. In the situation of "diva inflation" who needs Rock and Roll? Petar B. Popovic - Peca writes self-poetic history of a global phenomenon, supported by precise factography and lucid conclusions of the participants and witnesses, placing it in a much wider, social, ideological, national ...
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