Mainstream: How Hollywood Movies and the New York Media Are Promoting the Globalist Agenda

Mainstream: How Hollywood Movies and the New York Media Are Promoting the Globalist Agenda (2017)

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MAINSTREAM truy nguyên nguồn gốc của Hollywood từ những ông trùm điện ảnh đầu tiên cho đến các tập đoàn có lợi nhuận ngày nay. Với việc thoái vốn của chính phủ cho các rạp chiếu phim vào năm 1948, Thời đại hoàng kim của Hollywood đã bị phá hủy. Cùng với sự phá hủy "hệ thống phòng thu" này, các bộ phim ngày càng trở nên công thức, bóc lột, bạo lực và được sản xuất bởi một "nhóm kiểm soát" nhỏ của những người trong cuộc. Sau đó, với sự ra đời của TV và nhiều ảnh hưởng khác nhau từ châu Âu, các bộ phim Hollywood đã rơi vào tình trạng chính trị văn hóa bị nhiễm Marxist, sinh ra cái mà ngày nay chúng ta gọi là MAINSTREAM MEDIA. Được quản lý bởi chỉ có 6 tập đoàn lớn, phim Hollywood và các phương tiện truyền thông có trụ sở tại New York đã tham gia vào hàng trăm hoạt động kinh doanh bất hợp pháp, phi đạo đức và thường xuyên dẫn đến phân biệt đối xử với tài năng, phi hành đoàn, giám đốc điều hành và toàn bộ dân số. Tồi tệ hơn, các bộ phim và tin tức mạng đã trở thành một công cụ của Chương trình nghị sự toàn cầu, một chương trình nghị sự để thuê ngoài Hoa Kỳ ...

MAINSTREAM traces Hollywood.s origins from the early art-driven movie moguls to the profit-driven corporations of today. With the government-decreed divestiture of movie theaters in 1948, the Golden Age of Hollywood was destroyed. Along with this destruction of the "studio system," movies became increasingly formulaic, exploitative, violent and produced by a small "control group" of insiders. Then, with the advent of TV and various influences from Europe, Hollywood movies descended into a morass of cultural Marxist-infested political correctness that gave birth to what we now know as the MAINSTREAM MEDIA. Governed by just 6 huge conglomerates, Hollywood movies and the New York-based media have become involved with hundreds of predatory, unethical and often times illegal business practices that result in discrimination against talents, crews, executives and whole populations. Worse, the movies and network news have become a tool of the Globalist Agenda, an agenda to outsource the U.S. ...

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