Bloot

Bloot (2013)

(7.2) - 11 評価

説明映画

Các diễn viên quá tự giác, không chắc chắn về bản thân, bị ảnh hưởng, vô ích và luôn nghĩ về hình ảnh của họ. Chúng không bao giờ là .thực tế.. Các nhà làm phim tài liệu có một câu chửi thề: .Diễn viên!., Vì trong phim tài liệu mọi người nên .thật. và không diễn. Nhưng điều này có thực sự đúng? Cái gì là thật.? Và nếu .diễn xuất. không có thật, tác động của nó đến tâm lý của diễn viên là gì? "Nó không khiến bạn không bị ảnh hưởng", Hans Kesting nói trong bộ phim này. Tại lễ kỷ niệm 25 năm của nhà làm phim tài liệu Toneelgroep Amsterdam Paul Cohen và Martijn van Haalen đã thực hiện một bộ phim về diễn xuất như một nghề. Việc theo dõi các buổi tập cho vở kịch Chồng, dựa trên bộ phim John Cassavetes. Và trong quá trình quay phim, họ nhận ra rằng công việc của chính họ có một số điểm giống với diễn xuất chuyên nghiệp.

Actors are overly self-conscious, unsure of themselves, affected, vain and always thinking about their image. The are never .real. . Documentary makers have a swearword: . Actor!., for in a documentary people should be .real. and not acting. But is this really true? What is .real.? And if .acting. is not real, what is its impact on the actor.s psyche? .It does not leave you unaffected., says Hans Kesting in this film. At the 25th anniversary of Toneelgroep Amsterdam documentary-filmmakers Paul Cohen and Martijn van Haalen made a film about acting as a profession. The follow the rehearsals for the play Husbands, based on the John Cassavetes film. And during the filming process they realize that their own job bears some uncanny resemblance to professional acting.
Its the Blues: Mission to Memphis Son of Sid Young Detectives: Zaluu Murdugchid Home Care: Final Cut The Visiting Tank Street Spirit: Russian Streetwear Revolution Eternitys Sunrise El Hombre Des clics de conscience Brothers All Are We Les résistants du train fantôme Were Not White Arumdaun omma A Day in my Life The buxa lama Deveni Warama HidingInMyFlat Amerika Hard Yakka Letters from the future SOMI: So Obvious my Inspiration Pierre Radisson: Fjord and Gulf Leave Your Shoes at the Door Make Me Fly Broken Still One Tomasa Just An Inconvience, A Portrait of Rosemary Celestial Vehicle It Started at the River In the Shadow of Humans Battle Grounds: the hard hits of female poppers All My Relations 74-sai no Perikan wa pan o uru. A Little Fable Jouney Home to the USS Arizona narrated by Matthew Broderick The Strength in Me Losys World The mammalian reflex Help Catalonia, save Europe Jake & Eddie Cigarros Standing with Standing Rock Struggling for Weird are the green fields gone? Trek to Broadway Last Days: Kimi to ita hibi Port Our Film Great mother Kobayashi Takijis mothers story From Farm to Trash Il coraggio di credere Anohi, samurai ga ita guraundo The Replacement Canil Your Rock Floating Walk: Gangnam Kangaroo Madison Animal Hospital Its Absolute Trash Wendell Grimkie Freeland: A Quiet Soldier in the Fight for Civil Rights Moravilla My Cuba Chocolate Rise I Have Seen the Future: A Tour of the 1939 New York Worlds Fair The House Where Time Stood Still Andreas Lentakis: A Romantic Figher Guerilla Bay Lucy Dacus: Doors Wide Open In Search of the Found Object Killer Tune Radio In the Shadows of Sugar Hill Ishues Driven to Abstraction Dreams Death Ends a Life Not a Relationship Atopos, theatrical genders The Wave Yankev KTM Cocktale Mom and Mother Harold Nebenzal erzählt... Home La Via della Conciliazione America in Transition: Called to Serve Beatopia Aloneness, Loneliness, Beauty & Silence Hip Hop DNA: Breaking Down the Caribbeans Impact on the Culture The Last Ballad of El Manchez Fall Fashion Look Book Ratts Life LArt de lAutre Hijack at Malacca À lécole des pompes funèbres Buzzarama Throne of Cans Golden Branches Johnny Conch Shell Freihäit Allat Haddah I want to play football
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