Walker Renzo Ferrari

Walker Renzo Ferrari (2004)

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Bộ phim về Renzo Ferrari này không phải là tiểu sử, mà là một loại gián điệp tiểu sử, dựa trên những gợi ý được tìm thấy trong các bức tranh của ông, như các hiệp hội, đồ vật, điêu khắc, bóng tối và các dấu hiệu. Các bức tranh được lựa chọn cho sản phẩm này là từ bộ sưu tập 2000-2003 của ông và rất giàu tài liệu chính trị xã hội mạnh mẽ, từ người di cư và đất nước của họ đến các yếu tố đa sắc tộc và các nhân vật kỳ dị, như Gaio, không phải đàn ông hay phụ nữ. Không có chuyên gia, không bạn bè, không phê bình, chỉ có tranh của anh ấy và các yếu tố hình ảnh và âm thanh mà họ thể hiện. Tôi đã biết Renzo Ferrari trong nhiều thập kỷ và đã theo dõi các cuộc triển lãm của anh ấy ở Ticino và Bắc Ý. Viễn cảnh được chọn cho bộ phim này là một cuốn tiểu thuyết viễn tưởng, một cuộc hành trình tiểu sử qua các bức tranh của Renzo Ferrari. Bộ phim cho thấy các khu vực ở Milan (Ý) nơi Renzo Ferrari sống. Nó cho thấy atelier của anh ấy, những bức vẽ nhỏ trong chương trình nghị sự của anh ấy, những ghi chú nguệch ngoạc trong nhật ký của anh ấy, nhưng cũng là khu rừng xung quanh Cadro (gần Lugano, Thụy Sĩ), ngoài trời ...

This film on Renzo Ferrari is not a biography, but rather a kind of biographic spy, based on hints found in his paintings, like associations, objects, sculptures, shadows and signs. The paintings selected for this production are from his 2000-2003 collection and are rich in strong socio-political references, from migrants and their countries to multi-ethnic elements and peculiar characters, like Gaio, who is neither man nor woman. No experts, no friends, no critics, just his paintings and the visual and sound elements they express. I have known Renzo Ferrari for decades and have followed his exhibits in Ticino and in Northern Italy. The perspective chosen for this film is that of a fiction novel, a biographical journey through Renzo Ferrari.s paintings. The film shows the areas in Milan (Italy) where Renzo Ferrari lives. It shows his atelier, small drawings in his agenda, scribbled notes in his diary, but also the forest around Cadro (near Lugano, Switzerland), his outdoor ...
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