Sonnenland

Sonnenland (1999)

(8) - 187 rating

Description movie

Mùa hè trên núi Schafberg gần Vienna. Nắng và trẻ em chơi ngoài trời. Trẻ em khuyết tật. Sonnenland, được sản xuất vào mùa hè năm 1998 trong mười tháng tôi làm việc với Kinderfreunden (Những người bạn của trẻ em), đúng hơn là một bộ phim được làm với họ hơn là một bộ phim về họ. Điều trở nên hữu hình trong quá trình tiếp xúc của tôi (máy ảnh) với trẻ em là cảm giác về khoảng cách và sự thân mật, sự ngờ vực và sự tò mò và niềm vui trong những phần bằng nhau. Chủ đề của "tật nguyền" được đưa ra ngoài những nỗ lực thông thường để khơi dậy sự thương hại, và câu hỏi về sự miêu tả của họ (đã được xã hội cụ thể hóa) được xử lý. Thay vì những bức ảnh đẹp, Sonnenland cho thấy những hình ảnh khác thường. Hình ảnh mô tả những khoảnh khắc vào một buổi chiều mùa hè, những khoảnh khắc ngắn ngủi trong cuộc sống của trẻ em. (Paul Divjak) Sonnenland của Paul Divjak là một khu vườn của những cuộc gặp gỡ. Mỗi cảnh quay ghi lại một tư thế được giả định bởi một đứa trẻ tật nguyền khi đối diện với máy ảnh. Máy ảnh là một kẻ xâm nhập không phô trương ...

Summer on Schafberg mountain near Vienna. Sunshine and children playing outdoors. Handicapped children. Sonnenland, which was made in the summer of 1998 during my ten month I worked with the Kinderfreunden (Friends of the Children), is more properly a film made with them rather than a film about them. What becomes tangible in the course of my (the camera.s) contact with the children is a feeling of distance and intimacy, mistrust and curiosity and joy in equal portions. The subject of "handicaps" is taken beyond the usual attempts to arouse pity, and the question of their depiction (which has been instrumentalized by society) is dealt with. Rather than pretty pictures, Sonnenland shows unusual images. Images depicting moments on a summer afternoon, brief moments in the lives of children. (Paul Divjak) Paul Divjak.s Sonnenland is a garden of encounters. Each shot documents a posture assumed by a handicapped child when confronted by the camera. The camera is an unobtrusive intruder ...
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